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The Tomb of the the third Mughal Emperor Akbar (r. 1556-1605) is an important Mughal architectural masterpiece, built 1605-1613 and set in 48 Ha (119 acres) of grounds in Sikandra, a suburb of Agra, Uttar Pradesh, India.<br/><br/> Emperor Akbar himself commenced its construction around 1600, according to Central Asian tradition to commence the construction of one's tomb during one's lifetime. Akbar himself planned his own tomb and selected a suitable site for it, after his death, Akbar's son Jahangir completed the construction in 1605-1613.<br/><br/> The south gate is the largest, with four white marble chhatri-topped minarets which are similar to (and pre-date) those of the Taj Mahal, and is the normal point of entry to the tomb. The tomb itself is surrounded by a walled enclosure 105 m square. The tomb building is a four-tiered pyramid, surmounted by a marble pavilion containing the false tomb. The true tomb, as in other Mughal mausoleums, is in the basement.<br/><br/> The buildings are constructed mainly from a deep red sandstone, enriched with features in white marble. Decorated inlaid panels of these materials and a black slate adorn the tomb and the main gatehouse. Panel designs are geometric, floral and calligraphic, and prefigure the more complex and subtle designs later incorporated in Itmad-ud-Daulah's Tomb.
The Tomb of the the third Mughal Emperor Akbar (r. 1556-1605) is an important Mughal architectural masterpiece, built 1605-1613 and set in 48 Ha (119 acres) of grounds in Sikandra, a suburb of Agra, Uttar Pradesh, India.<br/><br/> Emperor Akbar himself commenced its construction around 1600, according to Central Asian tradition to commence the construction of one's tomb during one's lifetime. Akbar himself planned his own tomb and selected a suitable site for it, after his death, Akbar's son Jahangir completed the construction in 1605-1613.<br/><br/> The south gate is the largest, with four white marble chhatri-topped minarets which are similar to (and pre-date) those of the Taj Mahal, and is the normal point of entry to the tomb. The tomb itself is surrounded by a walled enclosure 105 m square. The tomb building is a four-tiered pyramid, surmounted by a marble pavilion containing the false tomb. The true tomb, as in other Mughal mausoleums, is in the basement.<br/><br/> The buildings are constructed mainly from a deep red sandstone, enriched with features in white marble. Decorated inlaid panels of these materials and a black slate adorn the tomb and the main gatehouse. Panel designs are geometric, floral and calligraphic, and prefigure the more complex and subtle designs later incorporated in Itmad-ud-Daulah's Tomb.
William Hodges (28 October 1744 – 6 March 1797) was an English painter. He was a member of James Cook's second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic. Hodges accompanied Cook to the Pacific as the expedition's artist in 1772-1775. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cook's journals from the voyage.
William Hodges (28 October 1744 – 6 March 1797) was an English painter. He was a member of James Cook's second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic. Hodges accompanied Cook to the Pacific as the expedition's artist in 1772-1775. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cook's journals from the voyage.
William Hodges (28 October 1744 – 6 March 1797) was an English painter. He was a member of James Cook's second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic. Hodges accompanied Cook to the Pacific as the expedition's artist in 1772-1775. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cook's journals from the voyage.
William Hodges (28 October 1744 – 6 March 1797) was an English painter. He was a member of James Cook's second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic. Hodges accompanied Cook to the Pacific as the expedition's artist in 1772-1775. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cook's journals from the voyage.
William Hodges (28 October 1744 – 6 March 1797) was an English painter. He was a member of James Cook's second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic. Hodges accompanied Cook to the Pacific as the expedition's artist in 1772-1775. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cook's journals from the voyage.
William Hodges (28 October 1744 – 6 March 1797) was an English painter. He was a member of James Cook's second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic. Hodges accompanied Cook to the Pacific as the expedition's artist in 1772-1775. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cook's journals from the voyage.
William Hodges (28 October 1744 – 6 March 1797) was an English painter. He was a member of James Cook's second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic. Hodges accompanied Cook to the Pacific as the expedition's artist in 1772-1775. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cook's journals from the voyage.
Matavai Bay (Tahiti) and Tahitian Boats: The canoe, or boats, which are used by the inhabitants of this and the neighbouring islands may be divided into two general classes; one of which they call Ivahahs, the other Pahies. The Ivahah is used for short excursions to sea, and is wall-sided and flat-bottomed; the Pahie for longer voyages, and is bow-sided and sharp-bottomed.
William Hodges (28 October 1744 – 6 March 1797) was an English painter. He was a member of James Cook's second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic. Hodges accompanied Cook to the Pacific as the expedition's artist in 1772-1775. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cook's journals from the voyage.
William Hodges (28 October 1744 – 6 March 1797) was an English painter. He was a member of James Cook's second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic. Hodges accompanied Cook to the Pacific as the expedition's artist in 1772-1775. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cook's journals from the voyage.
Matavai Bay (Tahiti) and Tahitian Boats: The canoe, or boats, which are used by the inhabitants of this and the neighbouring islands may be divided into two general classes; one of which they call Ivahahs, the other Pahies. The Ivahah is used for short excursions to sea, and is wall-sided and flat-bottomed; the Pahie for longer voyages, and is bow-sided and sharp-bottomed.
William Hodges (28 October 1744 – 6 March 1797) was an English painter. He was a member of James Cook's second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic. Hodges accompanied Cook to the Pacific as the expedition's artist in 1772-1775. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cook's journals from the voyage.